Christ (1923)

He was awarded his doctorate in 1927. He studied at art colleges in Budapest, Berlin, Vienna and New York. In Berlin he became involved with the group Der Sturm. The journal, which also ran a renowned gallery, was an important publication forum for the international avant-garde movement. Its influence on his entire oeuvre was decisive. In 1929 he moved to the USA. From 1950 he was Professor of Dermatology and Director of the Dermatology Clinic at New York University until his retirement in 1950. From 1942 to 1946 he served as a major in the US Army in the Mediterranean theatre of operations. His most important and highly acclaimed exhibition was at the Contemporary Arts in New York in 1935, one of the most prestigious art salons in the USA, but he also participated in many other exhibitions, including the International Watercolour Exhibition at the Chicago World's Fair. He was a member of the oldest American artists' club (Salmagundi Club), which also organised an exhibition of his work. After the war, he began to work in printmaking - choosing abstract imagery as his form of expression. In the 1960s, he published a number of portfolios of colour woodcuts. In his paintings, even in the 1980s, he often used foreign materials (bricks, sand, found objects, etc.).

Imre Ladányi's Christ (1923) combines stylistic features of the neoclassical and expressionist movements born as a reaction to the post-war shocks. From Ernst Ludwig Kirchner and Emile Nolde to István Szőnyi and Derkovits, many artists at the time turned to the theme of Jesus, who symbolised the suffering of humanity. Painted in ink and watercolour, with sharp outlines but in a very loose manner, Christ's lower body with bound hands seems to be covered by a striped rabbit's robe, while his face rather reveals that he is already dead.